Let it Grow is a platform that facilitates entrepreneurs, urban idealists, and artists in bringing their green innovations to life, with a specific focus on plant and seed-based projects. We were honored to be featured in their latest interview series, where we discuss our process, the limits of tactical urbanism, and our current work in India.
Cities have always been subject to the forces of ruination. Buildings, monuments, and infrastructures built with the pretense of permanence, inevitably succumb to the shifting fates of disinvestment, abandonment and transition. How should we look at these spaces as citizens, as designers, planners, and ecologists? What’s going on within them and why does it matter?
A group exhibition that explores how art and design can stimulate public awareness of urgent ecological issues through soil regeneration, re-conceptualizing land use, and activating under-utilized green spaces in Los Angeles.
Commonstudio is Bangalore bound! Well, almost. Fuelled by a 2016/17 Fulbright-Nehru research grant from the United States-India Education Fund (USIEF), we're thrilled to have the opportunity to put down some temporary roots in India, beginning in October of 2016.
Twice a year in Budapest, the streets explode into a curious and colorful profusion of unwanted stuff. What follows is a brief photo essay exploring the "Lomtalanítás" as it occurred in the 8th district from March 6-11, 2016.
Last week marked our first visit to the Metropoliz Future Forest site since our assisted migration efforts in the fall of 2015. We were honored to co-lead a group of visiting scholars, artists, and designers from the American Academy in Rome for a “Walk & Talk” which focused on the many signs of life and friction that exist in the contemporary fringes of the “eternal city.”
We are excited to share some field notes from initial stages of a collaborative tactical landscape intervention we are calling The Metropoliz Future Forest, developed in an ongoing creative partnership between Commonstudio (Kim Karlsrud and Daniel Phillips) and Flash Atoye (Firat Erdim and Olivia Valentine), with support from the American Academy in Rome.
There’s a certain satisfaction to getting lost in a new city. Or your own city for that matter. The vague exhilaration of stumbling across an undiscovered gem of a restaurant, or finding a hidden staircase on your walk home. If you relate to this feeling, chances are you’ve participated in a particular kind of urban wandering often referred to as a "Dérive."
Throughout the last month, we’ve been exploring the topic of urban ecology from a few different perspectives. First, through the lens of our personal practice, we’ve introduced some of the challenges we’ve faced while developing projects and businesses at the intersection of ecological, economic, and social concerns. We’ve considered a historical perspective by contrasting American and European attitudes toward nature, cities, and wilderness. We’ve discussed the meaning, ethics and aesthetics of “ecological urbanism” through some exciting contemporary precedents. We’ll wrap up our BeWilder series this week with a few final ideas and questions.
Last week we explored some of the forces shaping our relationship to Nature. Or rather “nature”, the culturally constructed category that is often hard to pin down. These shared ideas about what nature is (and isn’t) are important because they tend to actively shape the way we think about and interact with the world around us. Can we look at nature in new ways? Is it possible to build new narratives and new frameworks for understanding and relating to the planet we inhabit? This week we'll attempt to break down some of the tidy categories that limit our thinking, and explore some interesting cases for urban ecology.
The American mind has a particular soft spot for the general category we label as "Nature." Walk through the aisles of any grocery store as evidence. Muted pastel color pallets of greens and browns, faux burlap graphic texturing, distressed typefaces that appear hand stamped, a litany of promises, slogans and certifications. The message is clear- that the natural, or at least the appearance of it, is always synonymous with the good. There's even a "natural" version of Cheetos available for the more discriminating junk foodies among us. In short, we've become rather sentimental, but it's not all our fault. (Click to continue reading)
Throughout the development of self-initiated projects like Greenaid, we have often found ourselves grappling with questions that extend far beyond the boundaries of our creative practice. By helping to promote and empower the unsanctioned planting of native seeds in underutilized urban landscapes, one of the most frequent questions we were asked concerned the particular composition of our seedbombs. What species did we include? Where and how did we source our seeds? How did we ensure that whatever was being planted was appropriate? The more earnestly we tried to answer these questions for ourselves and others, the more we realized that we’d wandered into a much bigger, and at times heated debate about the very nature of nature itself. And it’s kept us thinking ever since.
Are you an Angeleno interested in urban ecology and citizen science? Want to better understand the distribution and uses for local vegetation in your neighborhood? Join us for a project that uses your smartphone to track and understand opportunistic plant species across LA.